Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, January 28, 2011

TTS


For this week's blog post, I was going to write about the Text-to-Speech (TTS) feature of the Kindle.

I was going to point out that whether the feature is enabled or not is up to the publisher of the ebook.

I was going to highlight the choice of a male or female voice that may be adjusted to speak faster or slower than the default setting.

I was going to mention it's a bit mechanical sounding, compared to a real person reading aloud, but it's a minor limitation of the Kindle 3 that doesn't bother me.

I was going to say that because my car has a cassette player, I can use my portable CD player's cassette adapter to listen to an ebook or a few MP3 files on my Kindle through my car speakers while I drive.

I was going to blog about how I enjoy listening to scripture at home and on the road and that long road trips killed several of my Bible cassettes through the years. Changing over to a Bible on CD and taking along a CD player means more clutter in my car. Anticipating the purchase of an MP3 player and having to find an MP3 Bible to play, I was going to rave about how very happy I am to have found OSNOVA's TTS-friendly KJV Bible for only $4.99.

I was going to write that, unlike my other ebook Bible, the speech is very easy to follow either listening or reading along because the verse numbers were removed and the text set in normal paragraphs.

I was going to mention that since I bought this TTS-friendly Bible for listening purposes, sometimes I forget that the speech function has to be stopped in order to use the Next Page/Last Page buttons or the 5-way controller arrows to skip forward or back to another book. I was going to add that using the Shift and Sym keys makes it easy to toggle the speech off and on again.

I was also going to post that for the low cost, ease of use, and convenience of not having to pack everything I used to and considering I can use it at home, too, the TTS feature on the Kindle and this TTS-friendly Bible are real blessings.

But I decided to get a rotisserie chicken and seedless grapes for dinner and read another ebook, instead.


Romans 10:17. So then faith cometh by hearing, and hearing by the word of God.


Friday, June 25, 2010

POOF!


I typed up a post and saved it as a Draft to verify something before submitting it.

The screen flickered.

POOF!

The post disappeared.

Apparently, you don't need to read what I wrote because I can't find it anywhere and I'm certainly not retyping it.

Sorry, this is all you're getting this week.

Have a nice weekend! I'm going to practice playing "Yankee Doodle Dandy" on my tin whistle to see how good I can get by Independence Day.


Wednesday, May 12, 2010

Lesson 7


Hallelujah!

I finally made it past Lesson 7 which has eight measures of the "Ode to Joy," the theme of Beethoven's Symphony No. 9, that was hanging me up.

Indeed, playing it on the tin whistle is soooo much easier than on a recorder!

Now, I'm on Lesson 10, the last lesson of the book that came with my recorder, having skipped Lesson 8 because I have no idea how the songs are supposed to sound, and am looking forward to my next tutorial that I'm expecting to be delivered tomorrow.

Using a tutorial with a CD is important for me since I don't read music well enough to play by the timing indicated on the sheet music. I play along with the song running through my head, and if I don't know a song, I can't play it.

For Lesson 7, because there's more music running through my mind than there are notes on the page, I searched this afternoon and found the rest of the sheet music. By the looks of it, I'm not intimidated although I still have to learn how to play it. That's okay for now because while I can play the eight measures smoothly, I'm still learning since I'm not yet able to keep up with the music in my mind. I'm sure I'll get better with practice and when I can do it all, I'll be able to play along with my CD of Symphony No. 9.

Just imagine - me, playing Beethoven on my tin whistle backed by the Chamber Orchestra of Europe conducted by Nikolaus Harnoncourt!

Whoo-hoo!


Thursday, May 6, 2010

Score! (Meg)


I decided to learn how to play a tin whistle as being more practical than learning to play an ocarina because I can change to different whistles, if I want, without having to learn new fingerings.

Selecting the Clarke Sweetone because it sounds close to the Clarke Original tin whistle, which breathy sound I like, but is reputed to be easier to play with a comfortable plastic mouthpiece designed by Michael Copeland instead of the metal mouthpiece with wooden block on the Original, I then modified my choice to the lower-priced Meg, also by Clarke, because of a review that included an mp3 comparison between the Sweetone and the Meg that's supposed to sound nearly like the Sweetone except I couldn't tell any difference.

I looked at a few websites to check the range of prices.

Calling a couple of music stores in my local area, thinking to get my whistle right away plus save on shipping, I found one store with the Clarke Original in D for over $15 more than the highest-priced Sweetone and another that had the Clarke Original in the key of C for a similar price. Neither have the Sweetone and only one store would be able to order it - for more than the lowest price online including shipping. Neither have the Meg nor would be able to order it.

That's definitely not cost-effective for me, a rank beginner who doesn't yet know how far she'll go with this endeavor.

Considering that some websites sell the Meg for the same price as the Sweetone (talk about profit margin!), and finding prices too good not to share at The Whistle Shop, I had some Megs sent to a musical friend with children in another town. Thom Larson's excellent service is so fast with Priority Mail (2-3 days) that is also the least expensive method to ship, that they've already received their Megs and started playing.

I received mine as well and started playing by using the book that came with my recorder. Fingerings for the beginning notes (B A G F# E D) on the whistle are the same as for my recorder and a fingering chart with a song sheet was included, so I'll be occupied for a while learning the fingerings for the notes that are different on the whistle. One thing for certain is that a whistle sounds a WHOLE lot better than a recorder. Let's see if I can finally get past Lesson 7!

You'll have noticed by now that I haven't quoted exact prices and if you've read my other "Score!" posts, you know this is where I normally state the price of the item I scored. However, because my above-mentioned friend is a faithful reader of my blog, I'm not doing it this time because that would be like leaving a price tag on a gift.

So, sorry to inconvenience you, but you'll have to look it up yourself, if you really want to know the price. Besides, if you intend to buy a tin whistle, or anything else for that matter, you should check out websites yourself to comparison shop with the stores in your town to see if you can come up with something better.

More importantly, your satisfaction with any whistle you may choose will depend a lot on whether or not you like how it sounds which is entirely subjective.

In conclusion, I'll merely state that I'm extremely pleased with my find and shout...

SCORE!


Friday, April 30, 2010

The Downside of Learning to Play a Musical Instrument


Ever since I was a child, I've wanted to learn how to play a musical instrument. Back then, it was the organ. My parents enrolled me in a package of ten piano group lessons that I complained about because I was too young to appreciate having to wait around for 40 minutes of the hour-long lessons while the two other students received their 20 minutes apiece.

(Not that I'd appreciate waiting around for 40 minutes now, either.)

It was too boring for words and the little electric piano the teacher had us using sounded terrible. There was absolutely no joy in the experience that I had eagerly anticipated and my parents never tried it again.

In my teens, I got myself an acoustic guitar, some instructional material, and tried to teach myself to play. I thought I was doing fairly well and enjoyed the sounds I was making but quit because I didn't know it was normal for fingers to hurt like crazy until calluses built up on tender skin.

I'll spare you other painful details with more instruments in the intervening years because those two examples should suffice for you to get the big picture.

During my road trip in 2007, I bought an instructional book by David Harp that came with a CD and harmonica from the REI store near San Diego. It was different because it didn't have songs like other music books but taught riffs for blues and rock songs. They were very easy to learn and I was imitating a train with whistle the first night. Maybe it wasn't music in the sense of playing a melody, but it sounded good to me and, most of all, it was fun!

Until I misplaced the book and CD.

Last year, I bought a book and recorder from the Wal-Mart children's toy section for about US$10. Being adult about it, I refrained from buying one of the translucent bright red or blue or purple recorders and settled on a solid, sedate, ivory; not that I wasn't tempted to get one that was more colorful.

Several times last month, I watched "Australia" on HBO thinking more and more, "I can do that" whenever the boy played "Over The Rainbow" on his harmonica. So, I got my harmonica and copied the tabs for the song off the Internet.

Except the song doesn't sound right.

Getting another copy that doesn't sound right either, but in different places, I spent over three and a half hours one Thursday night with them and my harmonica making a third set of tabs that sound right to me.

My lips still hurt on Saturday.

This time, I know not to give up entirely as I did with the guitar, but what do I do in the meantime? I still want to make music and even my sporadic, paltry attempts are deeply satisfying.

Another thought that crossed my mind was, "What if I get another episode of Bell's Palsy?" although I've been at least 95% free of it since Christmas. With a minor sense of not being 100% okay, I decided that I need something else that's travel-sized to alternate with the harmonica. That way, should I lose control of one side of my mouth again, I could stick the mouthpiece into the other side and still be able to play.

I went back to the recorder and played through the lessons to see why I quit. Ah, yes, I remember. Lesson 7 introduces a note that requires me to uncover the thumb hole. That was the show-stopper.

You see, my thumb has a mind of its own.

When I tell it to cover the hole, by golly it's going to keep that hole covered no matter what. As a result, when I tell it to uncover the hole, it yields only with intense reluctance after much earnest protesting. When I tell it to cover the hole again, it yells at me to make up my [blinking] mind. There's no point to switching hands because both thumbs are in cahoots.

I hate being chewed out by my own body.

After a week of fighting over that single note, I'm thinking there's got to be something better for me.

My remaining options appear to be an ocarina or a tin whistle, also called a penny whistle although many are no longer made of tin and none cost only a penny anymore.

The ocarina is an old South American wind instrument that was made popular by Giuseppe Donati, an Italian brickmaker circa 1850. Issued to soldiers during World War I and II, ocarinas are having a revival because of "The Legend of Zelda" game series by Nintendo. Ocarinas are available in different styles, materials, colors, and prices starting at US$5 with the number of holes ranging from four to twelve.

The ocarinas with four finger holes that don't have thumb holes sound like they'd be the best for me. Those that have six or more holes may instigate more arguments with my thumbs.

Researching tin whistles is encouraging because they are reputed to be the easiest instrument to learn, don't have thumb holes (Hallelujah!), sound better than recorders, and are available in a wide range of prices. Since even professional musicians use whistles that cost US$25 or less, there's no snob appeal in having an expensive whistle. The thing that matters is whether or not you enjoy the way your whistle sounds.

The sole negative is that since the increased popularity of Celtic music that started back in the 1970s and because the majority of Celtic music is in the key of D, it's hard to find instructional material in the key of C even when it isn't Celtic music.

The good part about the soprano or high D whistles that beginners typically use is that they're easier to play than those in the key of C because they require less air. Because the holes are closer together, it's less of a stretch which may be a determining factor for the small hands of children.

Another good thing is that tin whistles all use the same fingering to produce the notes. Once learned, what one has to do to play in a different key is merely get a whistle in that key and get used to the whistle's different length and spacing of the holes which isn't that easy when it's something like a low D.

Learning on a whistle in a key other than D results in the student not sounding right only when playing along with an instructional CD or with other people unless they're also using instruments in the same or a complementary key.

Hannah Kate Kinnersley wrote in her Wall Street Journal article, "Music Lessons: Learning To Play The Tin Whistle," that learning to play a musical instrument is good for children because "Studies say that children who play an instrument score higher on math tests and show improved concentration. Adults who play score better in memory tests."

The advantages of getting an inexpensive, travel-sized, musical instrument is that you'll have something to entertain yourself and others during overly long waits, car and bus rides, hiking rest stops, or evenings by the camp fire; you'll be able to cheer and comfort yourself when you're lonely, and it won't cost much to replace if lost.

In addition to these advantages, it's ideal for your preparedness Grab & Go bag because it doesn't require batteries.

Even if you don't count relaxation or the sense of accomplishment that comes from making your own music, it's all upside. There is no downside to learning how to play a musical instrument.

All you have to do is select an appropriate instrument and find the method of learning that works best for you.


Thursday, April 22, 2010

Score! (Risë Stevens)


A side benefit of looking for "Amazing Grace" done by Janis Joplin was that it reminded me of my wanting to find "Risë Stevens in Songs of Jerome Kern" because her "Smoke Gets In My Eyes" is the best I've ever heard along with "Can't Help Lovin' Dat Man."

In case you don't know, Risë Stevens is a retired NY Met opera mezzo soprano, famous during the 40s and 50s, who successfully crossed over to pop.

Mom had the album and I hoped to inherit it one day, but it got ruined a long time ago.

Checking Amazon, I found a CD called "The Pop Side" that has those two songs plus a few others I recognized from Mom's album, so I ordered it (used) for only $5.23 including shipping. It arrived in only three days, in great condition, and the songs are just as good as I remembered.

Score!


Thursday, April 15, 2010

Janis Joplin


A long time ago, a former neighbor said that the best version of "Amazing Grace" that he'd ever heard was done by Janis Joplin. I listened to it (on vinyl LP) and didn't like it, but decided to give it a second chance recently.

Looking around, the only versions I found are the medleys "Amazing Grace/Hi Heel Sneakers" and "Amazing Grace/Psychedelic Preacher." If the "Amazing Grace" parts of the medleys are any indication, I probably still wouldn't like her singing "Amazing Grace" by itself in its entirety just like back when my friend let me hear it.

However, the search did acquaint me with other songs of hers and there's no denying her raw power, emotion, and bluesy vocalizations.

If you've yet to hear Janis Joplin or haven't listened for a while, here's a sampling, courtesy of the folks at YouTube:

1. "Summertime" by DuBose Heyward, George Gershwin and Ira Gershwin.

2. "Turtle Blues" by Janis Joplin.

3. "Little Girl Blue" by Lorenz Hart and Richard Rodgers from the stage musical and movie, "Billy Rose's Jumbo," sung by Doris Day.

4. "Me and Bobby McGee" by Kris Kristofferson and Fred Foster.

Just for fun, compare "Piece of My Heart" written by Jerry Ragovoy and Bert Berns that was originally done by Erma Franklin, Aretha Franklin's older sister, to Janis Joplin's cover and to Faith Hill's version of which Wikipedia reports that her first version was the closest to what the song writers had in mind.

Personally, I like Joplin's and Franklin's versions better.


Wednesday, April 7, 2010

Too Good Not to Share #3


Harmonica like I've never heard it before:

1. E. Matthew Shelton performing "Oh, Shenandoah" on harmonica and guitar.

(Scroll down. It's the second demo that's below the lyrics and tabs.).

2. Larry Adler and Itzhak Perlman performing Gershwin's "Summertime" on harmonica and violin.

Enjoy!


Thursday, October 22, 2009

Too Good Not to Share #2


Here are links to more things I've enjoyed on the World Wide Web.

The BBC Wildlife Magazine and London's Natural History Museum own the Veolia Environment Wildlife Photographer of the Year competition:

The winning photographs for 2009.


Caution! This may make you die from laughing:

Cat Betrayed Girlfriend.


You don't need blue skies to make good pictures:

Fifty Beautiful Photographs of a Cloudy Day.


Nice, strange, beautiful, fun, bizarre:

Oddee.com is a blog on the oddities of this world.


Do you think you've got a hard life? You can't make this stuff up (although a few do sound like it):

FML.com - Your everyday life stories.


Finally, some beautiful music (I love the rain drops and thunder sound effects they make.):

Perpetuum Jazzile performs Toto's "Africa".


Monday, April 20, 2009

Susan Boyle SINGS!


I hadn't heard of Susan Boyle, but when I got online to check on a fountain pen last night, there she was in my email, newsgroup, and Facebook accounts. EVERYBODY's talking about her!

So, I clicked the links my friends provided, recovered my dropped jaw, and, after wiping away my tears, went looking for more.

Her performance of "I Dreamed A Dream" from Les Misérables for Britain's Got Talent on April 11 is what grabbed everybody's attention. Watch the YouTube video and keep an eye on Simon Cowell. I'm sure he sighs with pleasure while she sings.

This longer version includes her pre- and post-audition interviews.

On April 16, the Scottish newspaper, The Daily Record, got an exclusive by finding a recording of "Cry Me a River" that she did for a charity CD in 1999.

On April 17, Miss Boyle sang a verse acapella from Titanic's "My Heart Will Go On" for Larry King.

Then, music was added to it.

Yesterday, April 19, Boyle's idol, Elaine Paige, was reported to have suggested a collaboration with Boyle.

The same article mentions another BGT contestant, 39-year-old Julian Smith, a music teacher, who raised the audience to its feet in a standing ovation and brought unexpected tears to the eyes of judge Amanda Holden when he played West Side Story's "Somewhere" on his soprano saxophone.

Good luck to them both! I'm looking forward to buying their CDs.


Friday, December 12, 2008

Dallas Opera: "Die Fledermaus"


There was only one skunk on the road to Dallas this past Sunday and the portent held true. There were no ringing or vibrating cell phones, no watch alarms, and no out-of-place applause. The only skunk in the audience was the woman next to me wearing perfume.

Fortunately, there were large blocks of empty seats in the upper balcony making it easy for me to move up and avoid having another allergic reaction to her otherwise pleasant fragrance.

I moved to an empty lower row of only three seats and settled in to having a good time with this comic operetta by Johann Strauss II.

Although the first act is filled with chuckles from the interplay of the characters which was easy to follow because the performance was in English, I was nearly overcome by yawns and general boredom. The only bright spots were the voices of Chad Shelton, playing Alfred, and Ava Pine, playing Adele, who turned out to be the star of the show both in voice and in acting.

To be fair, Ana Maria Martinez, playing the part of Rosalinde, was recovering from the flu. Knowing this only makes me wonder how much better she might have been if she had been in full health. On the other hand, Miss Pine was recovering from a sinus condition.

Since many of the singers, excluding Pine, Shelton, and later Grant Neale, weren't easily projecting their voices over the orchestra or filling the hall with their voices, it made me consider that the smaller capacity of the new Winspear Opera House with its 2200 - 2300 seats, compared to the 3400 seats of the Fair Park Music Hall, would aid weaker voices. In any case, a voice like Pine's will be sure to knock our socks off in the smaller venue.

Happily, the pace picked up in the second act and the production improved through to the end of Act III. Neale, as Frosch, the jailer, was in fine voice and left me in stitches with his pratfalls and complaints about opera and Alfred's singing. Indeed, I'd be lying if I didn't admit how well Shelton sang and portrayed Alfred despite Frosch's complaints.

The only character I found disconcerting was Prince Orlofsky, played by Marianna Kulikova. I don't know if it was her somewhat erratic voice which got stronger as she went on or her makeup or the sight of the side of her right breast bulging through the side of her uniform. There were too many lopsided features for me to ignore in order to catch the laughs. Was she a woman playing a man as a trouser role suggests? Or was she a woman playing a man playing a woman in drag as a man?

Overall, it turned out to be a gentle and pleasant way to spend a Sunday afternoon, not an expensive nap as I feared it would become during Act I, although it wasn't worth the 4-1/2 hour drive except for Ava Pine's performance.

If this production is any indication, we need to keep an eye on Ava Pine because she might be going places.


Tuesday, November 18, 2008

Dallas Opera: "The Marriage of Figaro"


I should have known by the five dead skunks I saw during my drive to Dallas, plus the two that I didn't, how the Sunday matinee performance of "The Marriage of Figaro" was going to be.

The opera is one of my favorites. Humor and wit abound along with the cleverness of Mozart's music. Like the road to Dallas, this production was thoroughly enjoyable and the best I've ever seen for this opera. The laughs were elicited from us by sight gags as well as by vocal phrasing and the performers' timing was impeccable. For example, Keith Jameson, who played Don Curzio, the magistrate, stuttered musically and majestically; we couldn't help bursting out with laughter and love how his stuttering was echoed by the other singers which enticed even more laughter from us. It wasn't just the laughs, either. Susanna Phillips, who portrayed the Countess Almaviva, sang so beautifully that I wanted her arias to last longer and wished we could shout, "Encore!" at the final curtain and get her to sing one again.

However, as excellent as it was, I am almost sorry that I went and I deeply regret buying season tickets; I am that disgusted. It wasn't the horribly uncomfortable seat that will hopefully be corrected with the move to the new Winspear Opera House next season or that I was perspiring until the third act when someone finally got smart enough to turn on the air conditioner.

The skunks were in the audience.

Every other opera I've attended in other cities, when the house lights go down, the audience settles in anticipation. In Dallas, chatter speeds up and doesn't finish until AFTER the music is started...except for the past-their-prime women sitting near me who started talking well into the act while the performers were singing. I couldn't give them the evil eye because they were in my row and wouldn't have been able to see me. I couldn't shush them without creating another disturbance. The only things I could do were pray for them to shut up already and wish my arm was long enough to reach over and head-slap the pair of them.

In addition to the talking were the cell phones. Not only did I hear a cell phone playing a tune that was discordant to the music being played by the orchestra, I heard the bzz-bzz-bzzz of a vibrating phone, and the ting-ting-tinging of a watch alarm. Which part of "Please turn off your cell phones" couldn't the morons understand?

Another skunk was the perfume. Ladies, when you're going to be sitting for hours, shoulder-to-shoulder with others, PLEASE DO NOT WEAR PERFUME OR ANY OTHER TYPE OF FRAGRANCE. All you need is the effective use of bath soap. For those of us who are allergic to fragrance, the watering eyes and congested sinuses are agony. For those of us who think your favorite fragrance stinks, it's misery. How would you like to spend three and a half hours sitting within five feet of a skunk? If you think I'm the only person who thinks this way, there were women in line at the ladies room who I overheard complaining about someone wearing perfume who was sitting near them, too.

Another thing, especially if you were among the group of idiots sitting in the right balcony and clapping when no one else was, here's a clue:

The superscription above the stage means that someone is singing or is about to sing and that you should be quiet and listen. It is NOT a signal for you to start clapping with all your might to drown out the singer's voice as well as the harpsichord being played by the conductor, Graeme Jenkins.

Since the Dallas Opera was founded in 1957, one would think there's been enough time for its audience to learn how to behave. Certainly, cell phones have been out long enough for people to have grasped general etiquette by now and turn off their cell phones in libraries, churches, theaters, AND AT THE OPERA. The mere fact that the performers are singing without microphones gives normal, respectful audiences the motivation to help them be heard by everyone by being quiet, but no, Dallas, you are too rude, crude, and socially unacceptable to exhibit the minimum in common courtesy or to have any degree of couth.

Dallas, it's time for you to grow up and start behaving yourself. I'm giving you the rest of the 2008-2009 season to prove yourself capable of not ruining another opera only because I already have tickets. Yes, I have thought about trying to get a refund or sell my tickets on eBay, but I really want to see the operas. After that, we'll see. There's also opera in Tulsa and Fort Worth's Bass Hall is too fabulous for me to waste nine hours of driving time plus the cost of gas and the ticket only to endure your atrocious behavior no matter how stellar the performance.

In the meantime, I'm telling everyone to stay away from you.


Wednesday, August 6, 2008

The Canadian Brass


If you're not familiar with the Canadian Brass, it is a brass quintet that does classical, pop, and jazz, mostly classical, mostly Baroque. I have some of their CDs and have had the pleasure of seeing them in concert. They're funny and put on a great show.

Here are a few links:

Bach's Toccata & Fugue (these guys are good!):
http://www.youtube.com/watch?v=c54HuSXvsj4

Jazzy version of Bach's Fugue No. 2 (kewl!):
http://www.youtube.com/watch?v=miB8p0Kgv5c

Rimsky-Korsakov's Flight of the Bumblebee (funny):
http://www.youtube.com/watch?v=zR_GVUWllP4

Pachelbel's Canon in D (funnier):
http://www.youtube.com/watch?v=jOfDuJT7eew

Official website:
http://canbrass.com/frontpage.html.

If you ever get the chance to see them live, go.


Friday, July 25, 2008

Something Fun: The #1 Song On This Date in History


What was the #1 song on the day you were born? Find the hit song for your birthday or other significant dates at the #1 Song on This Date in History.

Thursday, June 26, 2008

A Clearer View of "In Plain Sight"

Every story, no matter if it's a book, a play, on TV, in a movie, or told around the campfire, has the elements of plot, characters, and setting. When it's told on television, additional elements such as music, photography, and allowing for commercials are also important.

I don't have any squawks against the plots or settings of "In Plain Sight." The music and photography are fine, also. That leaves the characters.

Considering each of the regulars, I decided that they're all okay except for the lead, Mary Shannon. But, she's the main character! What can possibly be wrong with her?

It's simple. She speaks.

When she's yelling or on the phone in the throes of fake passion, anything where her voice isn't her normal speaking voice, she's fine. However, when actress Mary McCormack's speaking normally or doing the voice-over, the two of which are most of her lines, something in her near-monotone voice clicks on the "BORING" switch in me.

Something similar happened before with the movie, "Hero," starring Jet Li. I like Jet Li and his films aren't boring, yet I kept falling asleep. As many times as I tried to watch the movie were the number of times I conked out. I finally realized that it was always at about the same point and eventually figured out that the problem was the music. The first time, and every time since, that I watched the movie with the sound off, I was able to stay awake the entire time. It's a beautiful movie, too.

So, there I was last week, watching "K-Pax" starring Kevin Spacey and Jeff Bridges when Mary McCormack comes on portraying the wife of the character Jeff Bridges is playing.

Guess what happened.

It's a good thing she didn't have many lines.

Then yesterday, during the "Law & Order" marathon on the USA Network, there's a man in the witness protection program and U.S. Marshall Mary Shannon is flying into New York from Albuquerque.

So now, not only is it doubly confirmed that McCormack's normal speaking voice drives me to distraction, I also know from where the premise of "In Plain Sight" came.

The mystery is solved.


Saturday, February 9, 2008

Too Good To Not Share - "We Didn't Start The Fire"


Billy Joel's #1 hit song, "We Didn't Start The Fire," is making the rounds as a Flash presentation by Ye Li, a Ph.D. candidate at the University of Chicago's Graduate School of Business:

http://yeli.us/Flash/Fire.html.

It's a great collection of photos and images of 40 years of modern history set to music that goes by in just a few minutes.

The key lines in the song for me are:

"We didn't start the fire
No, we didn't light it
But we tried to fight it."

Did I try to fight the fire this week? This month?

When I was in Honolulu, I learned that the Calvary Chapel has it's Thanksgiving dinner at the church, not for church members as do many other churches, but for those to whom they're ministering.

Did you try to fight the fire at any time during the past year?

For the song's background:

http://en.wikipedia.org/wiki/We_Didn't_Start_the_Fire.

For the lyrics:

http://www.billyjoel.com/discography/WeDidntStartTheFire.html.

Mark 13:7. And when ye shall hear of wars and rumours of wars, be ye not troubled: for such things must needs be; but the end shall not be yet.

Mark 16:15. And he said unto them, Go ye into all the world, and preach the gospel to every creature.

Luke 14:
12. Then said he also to him that bade him, When thou makest a dinner or a supper, call not thy friends, nor thy brethren, neither thy kinsmen, nor thy rich neighbours; lest they also bid thee again, and a recompence be made thee.
13. But when thou makest a feast, call the poor, the maimed, the lame, the blind:
14. And thou shalt be blessed; for they cannot recompense thee: for thou shalt be recompensed at the resurrection of the just.